Provide for “street performances” and other events promoting activities occurring at The Link. The City of Galveston has allowed for the public land between the Link site and the surrounding development along the harbor’s edge to be integrated into the paving and material pallet defining The Link Circulation and access extensions to the surrounding areas to the north, east and west can be considered, including from the Promenade Level.Įnclosed air-conditioned lobby, with vertical circulation to second level promenade and music venue. Include monumental staircase(s) to second level promenade and music venue. Sitting, gathering and pedestrian ciculation linked to existing promenade alongside the Tall Ship Elissa. A limited number of sites can be configured to accommodate “anchor” tenants. ![]() The smaller site includes a 7.5′ x 15′ x 10′ high module and the larger site has a 7.5 x 30 x 10 high module. Each site contains a removable storage container. Market can be on the second level) Sales/storage footprint “sites are available in two sizes, 15 x 30 and 30 x 30. The design of the platform and any enclosing or defining elements should promote a sense of arrival and destination, and should complement the architectural intentions of “The Link”.Ĭovered market area for permanent and temporary stalls selling food, clothing and merchandise (up to 40% of the outdoor How can the two-dimensional geometry of the Fibonacci Sequence be methodically projected into the third dimension?Ģ5 wide easement along Harborside Drive on the southeast side of the site for trolley (re: site plan) entrance and exiting (50% must be covered). ![]() The idea of breaking apart the Fibonacci Sequence isn’t that complex – but the real question became addressing the third dimension. In this case, the Fibonacci Sequence was utilized to generate the fundamental building blocks of the architectural composition. Because of this, constraints had to be created. The site became somewhat of a “tabula rasa”, in the sense of design constraints. The site is somewhat barren, with very few elements to connect with, contextually. It is a parking lot, approximately 50’-0” (width) by 120’-0” (length). The theoretical site is located in Galveston, Texas. LEGO House, Billund, Denmark (2017) – Bjarke Ingels Group | Golden ratio extracted from LEGO Bricks – 21 stacked bricks (Fibonacci Number)Ĭreating Constraints with the Fibonacci Sequence.Visual Arts Building, University of Iowa (2016) – Steven Holl Architects | Fibonacci Sequence applied to plans and window configuration.2 Modern Architectural Precedents Using the Golden Ratio: Instead, let’s focus on its basic mathematical constructs, and how it can be applied to architectural design. Corbusier saw the Fibonacci Sequence as a modern continuation of the ideologies of Vitruvius, Leonardo da Vinci, and Leon Battistia Alberti to name a few historic figures.įor the sake of this post, I will not dive too deep into breaking down the fundamental concepts of the Fibonacci sequence. ![]() ![]() Many famous modern architects, such as Le Corbusier, have used the Fibonacci Sequence in systems of design to constrain architectural proportions to human scale. The ratio can also be discovered in music – through tonal frequencies, timing signatures, and the physical design of instruments. The Fibonacci Sequence mathematically correlates with the “golden ratio”, which can be considered the physical manifestation of the formula – also represented by the greek alphabetical symbol, Phi (φ). See bibliography.Leonardo Pisano Bigollo (1175-1250), known as “Fibonacci”, was an Italian mathematician from the Republic of Pisa who was considered to be one of the most talented Western mathematicians of the middle ages. Sources: three starfish image pink starfish image.
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